What he holds
Four vessels carry the work, threading into one another without collapsing. Music production — original tracks and remixes that move across ecstatic dance, world bass, trip-hop, glitchy psy-dub, and what his own bio calls "face-melting, heart-opening, soul-awakening multidimensional frequencies." The shovel-slide guitar — yes, an actual shovel used as a slide — appears in live sets alongside electric guitar, with live instrumentalists and vocalists folding in when the venue allows. The DJ booth as ceremonial seat — reading the energy of the moment, weaving an evening's selections from his own catalog and from the wider transformational- music field, steering the spaceship in service of what the field is asking for rather than to a pre-planned set.
Event organization — co-founding and tending the Boulder Ecstatic Dance room with Aly Constantine and Danny on Sunday mornings at the Avalon Ballroom; co- curating Boulder's wider conscious-music nights with artists whose frequency rhymes with the room. Transformative retreats and mentorship — an electronic-music mentorship offering on his site, plus recurring participation in retreats where the music is held inside a longer arc of practice. The four vessels are not separate jobs; they are one practice, with each vessel holding the others.
The local-rooted, globally-distributed pattern: he tends the Boulder room weekly while touring ecstatic dances, concerts, festivals, and retreats worldwide. Recent tours include a month-long opening run for Dirtwire. Stages shared with Desert Dwellers, Poranguí, Beats Antique, Ott, Yaima, ATYYA, Balkan Bump, Phutureprimitive, Kaya Project, and the wider transformational-electronic family.